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"Year in Review"
Workshop at the Ranch
December, 2008 Edition
Hi and welcome to this edition of Workshop at the Ranch.
The year of 2008 saw a wide variety of articles grace the computer
screens of well over 100,000 readers of Workshop at the Ranch
each month. As my own photography broadens and my business continues
to grow I tried to bring current projects, techniques, equipment,
and data to my writings each month. From making merged images
into PANORAMAS to Location Lighting for Portraits, and Lightpainting
Landscapes to SB-900 Action Images, I poured a great deal of
effort, thought, and time into every article. Here is a look
back at 2008.
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#1 Book Man ... The March 2008 edition of Workshop at
the Ranch featured a photographer other than myself, Joe
McNally. Joe's brilliant book The Moment It Clicks is
a must read for every photographer. Sometimes taking the
time to read a book is a bit more than some can handle,
but if you would rather just look at the incredible pictures
first and read second ... Joe's book has plenty of images
that take your breath away. Many of you might go further
and like to read the captions too, especially if it has
data regarding how a picture was made ... Joe's book also
has lots of info and data. Some folks will even read a
paragraph or two, but only if it teaches them something
useful and if it is laced with real life experience and
humor ... Joe's book definitely has that and much, much
more. So whether you want a casual read, or in-depth study
The Moment It Clicks is for you. Before every shoot, yes
every shoot I reach for The Moment It Clicks and read
a page or two. It charges me up. It gets my mind thinking.
It motivates and inspires me. Get it, read it, be like
Joe!
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Image #2 Fall Foliage ... When I wrote
the May 2008 article about taking a series of images
and merging them into one PANORAMIC picture I thought
I might be preaching to an already savvy choir, but
after receiving a flood of emails praising my in-depth
explanation of the technique, I learned that "how
to do it well" was still a mystery to many landscape/nature
photographers. This article was one of several that
I have written over the past few years that teaches
something other than sports photography. No doubt it
is evident to those who have been reading the Workshop
at the Ranch articles over the past 6 years that my
business has been evolving. I photograph many more subjects
in addition to sports these days and from the emails
I have received many of you who come on a regular basis
are from a variety of photographic subjects including
Landscape , Nature , and Portraiture. I'm thrilled that
many of you "Learned Something New" from the
May Workshop at the Ranch and I plan on continuing with
a variety of teachings and techniques. Nikon COOLPIX
P80, ISO200, Aperture Priority, PANORAMA Mode, WB Cloudy,
Lexar 2G SD Card.
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#3 South Beach Sunrise ... From time to time I like
to share some unusual tricks, techniques, and equipment
items that I find useful to my photography. The June
2008 edition of Workshop at the Ranch explained seven
techniques I used during the week of horseracing at
Churchill Downs leading up to and including the Kentucky
Derby. I love to learn and one of the best ways I know
how to improve my photography is to experiment. So,
here's another item to add to your camera bag. Most
landscape photographers make use of a piece of equipment
called a Graduated Neutral Density Filter (GNDF for
short.) I never used one when shooting sports and thus
had no experience, but I saw the advantages while attending
a presentation given by good friend and great adventure
photographer Keith Ladzinski. Keith's combination of
his early photography roots in landscape imagery revealed
his extensive use of GNDFs and how he applies the their
use to his current subject of adventure sports really
struck a cord with me. So, early this November I had
some Lifestyle work to do in south Florida. I made myself
shoot several images each day using a two stop Graduated
Neutral Density Filter including this sunrise image
where the two stop "gradated" darkening of
the sky from the top of the frame to the horizon line
helped preserve it's rich colors yet allow detail in
the shadowed areas. I like it and will use a GNDF more
often. Nikon D700, ISO500, 1/200 at f7.1, Nikon 24-70mm
lens, 2stop Graduated Neutral Density Filter, WB 7100K,
Lexar 8G Flash Card.
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#4 Shadow Boxer ... This was a big year of teaching for
me. I spent 68 days traveling all over the nation to make
presentations, demonstrate techniques, and teach photography
to photographers at some fantastic workshops. I spoke
to ASMP chapters, University students, Trade Show attendees,
American PHOTO Trekkers, Rich Clarkson workshop students
and more, but the biggest surprise of the year came when
I was asked to teach a four day portrait lighting workshop
called the Long Island Photo Workshop. The details of
this location lighting portrait workshop is chronicled
in my September 2008 Workshop at the Ranch. I taught all
I knew to all I met all across the USA, and loved every
minute of it. I have already been asked to return to Long
Island in early August to do it all again and I'm looking
forward to it. Nikon D3, ISO200, 1/250 at f9, Nikon 24-70mm
lens, a cool/blue WB 3700K, 3 Elinchrom Ranger packs and
strobe heads, 1 with a Chimera Medium Soft Box off the
boxer's left shoulder and back, 1 with a 10 degree Grid
and Full CTO Warming Gel aimed at his face, and 1 with
a 20 degree Grid making a shaft of light across the wall
and old poster of the subjects early career championship
fight.
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#5 Jenny Lake Sundown ... Lightpainting and how to do it
continued to be very popular not only with avid readers
of Workshop at the Ranch, but, with many who attended workshops
where I taught. A creative lighting technique that uses
long exposure times and a mobile light source, Lightpainting
continues to be a significant part of my photography and
business. Although the October 2008 article featured several
Lightpainted Landscapes "under the stars", not
all the images from that week in Jackson Hole included the
heavens. Here is a Lightpainting of Jenny Lake in Grand
Teton National Park. Nikon D3, ISO500, 30 seconds at f16,
Nikon 24-70mm lens, WB 4200K, Gitzo Carbon Fiber Tripod
with Gitzo Ball Head and Kirk "L" Bracket, One
Brinkmann Q Beam spot light, Lexar 8G Flash Card. |
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#6 Big Wall Boarder ... How to use Nikon Speedlights has
been a main staple of teaching that I have offered in many
Workshop at the Ranch articles since the introduction of
the SB-800 some years ago. This year Nikon released the
new SB-900 Speedlight and I, like many, jumped in with both
feet and began using the improved piece of equipment. I've
done several assignments and commercial shoots with this
new product and gave an in-depth lesson in the most recent
November 2008 Workshop at the Ranch article. This image
illustrates simple, yet effective lighting using two Nikon
SB-900 Speedlights in a sports action setting. Nikon D700,
ISO1000, 1/1600 at f7.1, Nikon 24-70mm lens, WB 3030K, Two
Nikon Remote SB-900 Speedlights with a power output of +3.0
each with a Warming Gel, Nikon SU-800 Commander to trigger
the Remote SB-900 Speedlights, Lexar 8G Flash Card. |
It has been a busy and productive year for
me filled with some very interesting assignments and people.
I hope you all have enjoyed the Workshop at the Ranch series
of tutorial articles this year and are as excited as I am about
the adventures in photography that 2009 holds in store. I'm
looking forward to another great year and already have many
new articles in mind.
Thanks for joining me this past year and I'll see you each and
every month of 2009 here on Workshop at the Ranch.
Adios, Dave
Past Workshop at the Ranch Issues
July, 2010
"Moto Light"
June, 2010
"West Coast Flash"

May, 2010
"Little Lights, BIG Arena - PART 2"

April, 2010
"Little Lights, BIG Arena - PART 1 "

March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)

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