Documenting the Masters
Workshop at the Ranch
May, 2004 Edition
Welcome to the May issue of Workshop
at the Ranch. I was asked by Matt Ginella at Golf World / Golf
Digest Magazine to do documentary coverage of the Masters. So
impressed with Matt and his ideas and the event itself that I
have decided to continue the Masters coverage from On The Road
with some new equipment and ideas that might be helpful to those
of you who cover sports events. Let's take another look at Masters
images...
Lightpainting....My documentary coverage
of the Masters began each morning at 5:30am with a Lightpainting
somewhere at Augusta National.What better place to start
than the Club House at Augusta National. Several interested
security guards joined me for the shoot and were as thrilled
with the results as I. This image is a 20second exposure
at f22 using a Nikon D2H, WB10,000K, Noise Reduction ON,
ISO200,Nikon 12mm-24mm Lens. I used a Bogen Tripod, a
1G Lexar Flash Card, and a Vector Sport Spot ( 2 million
candle ).
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I have done little golf coverage
during my 25 years of sports photography. Matt's hope
was that the Masters would be NEW to a golf rookie like
me, thus bringing a fresh look at the event to Golf World
and Golf Digest's readers. Shooting during the back swing
is the biggest NO NO in all of golf. The sound of a camera
shutter can be distracting to the golfer during his swing.
So...let me introduce all of you to the Nikon COOLPIX
8700. This is Nikons 8 megapixel RAW/NEF file digital
camera. I nik-named it "Little Nell" after the
small helicopter James Bond used in You Only Live Twice.
As Bond put it....."she may be small but very convincing."
Here is Tiger Woods on the 15th tee at the 8:00am rain
delay restart day (Friday). The COOLPIX 8700 has a flip
out LCD screen and a SILENT SHUTTER. The camera is resting
on the grass and I view Tiger, via the LCD screen, start
his swing. The silent shutter is undetectable and Tiger
is captured at the top of his back swing Nikon COOLPIX
8700, w/ Wide Angle Converter, ISO100, Shutter Priority
1/500 sec. (note: Image #7 in On The Road of Phil Mickelsons
tee shot back swing at 18 was shot with the Coolpix 8700
and its Silent Shutter, w/ Wide Angle Converter.)
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I spent the back nine on Thursday with
Fredrik Jacobson as he began to move up on the leader
board. I used Little Nell (COOLPIX 8700) and it's silent
shutter to capture him in the back swing of his approach
shot to the 18th green. Nikon COOLPIX 8700,ISO 50, Normal
lens, Aperture Priority f5.6.
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Remember that I am looking
at every aspect of the Masters.....from Tiger to sandwiches
wrapped in green paper (it's the Masters...green is everywhere)
I wanted images of some caddys and liked this one the
best. Nikon D2H, ISO200, Nikon 600mm f4 Lens, Bogen Graphite
Monopod, Lexar 1G Flash Card.
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From the tower at the 18th tee I could
also see the 17th green. Thursday's rain provided great
images all day but this one of Berhard Langer of Germany
was a fun one. Nikon D2H, ISO250, Nikon400mm f2.8 Lens,
Shutter 1/2000 at f2.8, Bogen Graphite Monopod, Lexar 1G
Flash Card.
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Perhaps the greatest
pleasure I had was following Arnold Palmer from 13 through
his final put at 18. My dad has played golf his entire life
and Arnie was his favorite. Here is my first shot of Arnie
as he walked up the 13th fairway on Friday. NikonD2H, ISO200,
Nikon 600mm f4 Lens. |
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Little Nell again but this time with
a 1.5 Converter. I believe this makes the COOLPIX 8700 aprox:
350mm f2.8. Last years Masters Champion, Mike Weir of Canada,
tees off at 9. Although a standard tee shot an usually captured
with a 400mm or 600mm length lens I chose to use Little
Nell as it is small and unassuming and poses no threat to
the golfer the way a 400mm would from the same distance.
The Silent Shutter and 8 Megapixel RAW/NEF file are a great
combination. COOLPIX 8700, w/ 1.5 Teleconverter ISO100,
Aperture Priority f2.8. Lexar 1G Flash Card.
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Looks like a job for Little Nell! And
it is. Kirk Tripplet was waiting for the call to postpone
play after Thursday's 3 hour rain delay pushed play to
sunset. Little Nell (Coolpix 8700) was placed in my lap
as I sat only 10 feet behind the tees at 15. Kirk never
heard a thing as the Silent Shutter once again allowed
me to capture a moment that would normally be unacceptable
to the golfer. Nikon COOLPIX 8700, w/ Wide Angle Converter,
ISO 50, Manual exposure 1/4000 f5.6 , WB Fluorescent to
create the blue mood of the clearing storm.
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Well, I hope you have both learned
from and enjoyed my assignment at the Masters. Many thanks to
Matt Ginella, J.D. Cuban, Dom Furore, and Steven Szurlej who were
patient with all my questions about the game of golf and the Masters.
I would also like to thank my assistant, Joey Redd. Joey was far
more than a grip who carried camera gear. His knowledge of Augusta
National, the game of golf, and his polite manor was perfect for
me and the job at hand. Thanks Joey for a job well done....I could
not have done it without you.
WORKSHOPS and PRESENTATION Schedule
March 5-7, 2010 ... Southwestern Photojournalism Conference (SWPJC) Ft. Worth, Tx. www.swpjc.org
April 28,- May 4, 2010 ... American PHOTO Mentor Series Trek to Zion National Park and Bryce Canyon www.mentorseries.com
June 27- July 2 ... Sports Photography Workshop, Colorado Springs, Co. www.sportsphotographyworkshop.com
August 1-5 ... Long Island Photo Workshop, Long Island, NY. www.liphotoworkshop.com
September 9-12 ... American PHOTO Mentor Series Trek to Tetons, Wyoming www.mentorseries.com
October 3-8 ... Photography at the Summit, Jackson Hole, Wy. www.photographyatthesummit.com
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Past Workshop at the Ranch Issues
March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
