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Sports Flash Photography

Workshop at the Ranch
February, 2004 Edition

  Hi and welcome to the February edition of Workshop at the Ranch. The vast majority of emails I received during 2003 revolved around ARENA LIGHTING with SPORT STROBES. I have included some rough diagrams illustrating approximate strobe locations. I use the Elinchrom 1000r Sport Strobe that is distributed by Bogan. There are a variety of Sport Strobes on the market, but I like the Elinchrom's as the are lightweight, powerful, and most important, they have a very FAST FLASH DURATION. My 1000r units are older, but I believe Bogan distributes newer versions of Elinchrom sport strobes in the 600 and 1200 Sport Strobes. I also use Pocket Wizzard Multi Max Transceivers distributed by Mamiya (I have not used hard wire for a number of years.) The Multi Max's are wireless and reliable. You might want to scroll back to the February2003 Workshop at the Ranch as it also deals exclusively with Arena Lighting and Strobes with more images and diagrams.

This is a standard 4 strobe set up. The strobes are located in the catwalks that are above the pool. I only light 1/3 of the pool. The 2/3 of the pool that has no strobes is of course dark. From deck level you can see how the swimmer is lit and the background fades to black. This is a nice effect that illuminates the splashing water. Remember, the light is evenly spread across only 1/3 of the pool. Strobes are set at 1/2 power for faster recycle time (1 second recycle) and a sport reflector is used. Nikon D2H, ISO200, Nikon 500mm lens, 250 sinc at f7.1

  Swimming again but I wanted a different " look ". I positioned the strobes closer together on the catwalk so that only 1/5 of the pool is lit. I was only going to shoot swimmers turning and pushing off the wall so I concentrated all the light in this narrow area. I wanted some dramatic lighting so I pointed strobes #1 and #2 straight down at lane #2 and set them at 3/4 power. Strobes #3 and #4 are pointed straight down at Lane #9 and are set on 1/4 power. My Swimmer is in lane #5, not in direct line of the light. The uneven lighting directed straight down at the outer lanes tends to allow light to spill across the swimmer and create interesting shapes and colors. In this image even the goggles took on an abstract look and color. NikonD2H,ISO200, f8, 70-200mm VR Lens, with TC-14E 1.4X Teleconverter.

Weightlifting. This is a set up portrait/action image. Sport strobes were used because the athlete, Olympic Gold Medalist Tara Nott, was performing a variety of lifts. The fast action of the clean and jerk required the FAST Flash Duration that the Elinchrom sport strobes offer. Strobe#1 was set directly in front of the athlete while strobe#2 was set behind and to the athletes left in order to rim light her hair and back. Strobe#3 was behind and directed at the weight. All strobes had a 20% grid attached to the reflector to create a dramatic effect. NikonD1, ISO200, Nikon 80-200mm lens. Bogan Lightstands, Elinchrom 1000r strobes, with 20%grids.

  Ice Hockey action on the glass is usually an after thought by the photographer, a " Grab Shot ". I set the strobes specifically for this shot and enjoyed the game. My hope was that a good crash into the glass would occur were I was positioned. I chose the WORST glass in the rink. Plenty of gashes, scrapes, and scratches. I side/back lit the glass with strobes #1 and #3 ( 1/4 power on #1 and 1/2 power on #3 ). Then at Full Power strobe#2 from directly behind ( it is visible in the image ) These angles of light would light up every scratch and scrape on the glass so as to emphasize the rough sport of Ice Hockey I shot only 4 frames the entire game with these strobes and a NikonD2H, ISO200 with a Nikon 12-24mm lens at f8. I really like this image. It is unique. All strobes were positioned in the arena catwalks with Bogan Super Clamps. Polished long throw 30% reflectors were used with the Elinchrom 1000r strobes. I wore a black hat, coat and gloves to keep from being reflected in the glass.

Waterpolo is a terrific sport to photograph. Most pictures are of athletes splashing and fighting for the ball but this time I set the strobes in positions that left the athlete in a 1/2 silhouette against the beautiful color of the water. I watched the team practice and realized that they warmed up with passing drills. They always went to the same area of the pool to do these drills. So on the third day I set my lights accordingly. Strobe#1 lit the area were the top player of the team practiced her passing drills. Strobes#2 and #4 lit a shaft of light across the water behind her. Strobe#3 lit the upper right corner of the frame to give the image balance. Strobes 1,2,and 4 were set at 1/2 power while strobe3 was 1/4 power. Nikon D2H, ISO200, Nikon 300mm 2.8 lens with TC-14E 1.4X Teleconverter. Pistol Grip (no monopod)

  I hope these examples/diagrams help those of you using strobes and those of you who are thinking about getting some understand more about setting them up with a style of image in mind. The standard 4 lights in each corner is great for the sports/news but sometimes I want to make an interesting image with style and grace. For those thinking about purchasing sport strobes I purchase my equipment from Roberts Distributors in Indianapolis, 800-726-5544, ask for JODY GROBER. I believe Roberts has something called a " Corner Kit " (Strobe,Reflector,Clamp,etc. in a ready to-go package). Questions are always welcome. See you next time at Workshop at the Ranch. Adios, Dave

Each month I will be teaching techniques and sharing information about photography. I hope to address not only how images are made, but also aspects of business and the industry. I hope you find the time to log on each month here at "Workshop at the Ranch" If you have a question or comment about an area of photography not covered yet in Workshop at the Ranch, contact me to suggest a topic for a future issue.

*For additional examples of photographs using various lighting techniques see the Sports Scene

For another truly unique lighting style with instructions on it's implementation, check out LightPainting Techniques in the January edition of Workshop at the Ranch or for more on artificial arena lighting techniques, see Arena Lighting, February's Workshop at the Ranch.

WORKSHOPS and PRESENTATION Schedule



March 5-7, 2010 ... Southwestern Photojournalism Conference (SWPJC) Ft. Worth, Tx. www.swpjc.org

April 28,- May 4, 2010 ... American PHOTO Mentor Series Trek to Zion National Park and Bryce Canyon www.mentorseries.com

June 27- July 2 ... Sports Photography Workshop, Colorado Springs, Co. www.sportsphotographyworkshop.com

August 1-5 ... Long Island Photo Workshop, Long Island, NY. www.liphotoworkshop.com

September 9-12 ... American PHOTO Mentor Series Trek to Tetons, Wyoming www.mentorseries.com

October 3-8 ... Photography at the Summit, Jackson Hole, Wy. www.photographyatthesummit.com

Past Workshop at the Ranch Issues

March, 2010
"Workshop Wonders"

February, 2009
The D3s Advantage

January, 2010
"New Nikon D3s"

December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"

September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop

August, 2008
"Best Buy Summit in San Francisco"

July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)

December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box

August, 2007
Portrait Session with Frankie Herr


July, 2007
"Cowboy Up at the Double JJ Ranch"


June, 2007
"Light on the Run"


May, 2007
"SB800 Location Lighting in Mexico"


April, 2007
"Take it From the Top"


March, 2007
"Triple Play, Hat Trick, Trifecta" of Design


February, 2007
Principles of Success


January, 2007
Answers to Popular Questions


December , 2006
TREK to Peru and Machu Picchu



October, 2006
Creative Lightpainting (click here)


September, 2006
Tandem SB800 Speedlight Set Up (click here)


August, 2006
Get Pumped Up with Light (click here)


July, 2006
Sports Action SB800 Lighting on Location (click here)


June, 2006
An Artistic Look At Derby Week (click here)


May, 2006
Lightpainting....from the Beginning (click here)


April, 2006
Workshop 40: Arches Mentor Series TREK


March, 2006
Workshop 39: Let the Games Begin...


February, 2006
Workshop 38: My Moody Blue Location Lighting Formula


January, 2006
Workshop 37: Answers to Popular Questions


December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005


November, 2005
Workshop 35: Building a Portrait


October, 2005
Workshop 34: Game Coverage.....My Way


September, 2005
Workshop 33: Equipment...and How It Can Help A Career


August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits


July, 2005
Workshop 31, Rock On!


June, 2005
Workshop 30, Remote Cameras at Churchill Downs


May, 2005
Workshop 29, Arena Sport Strobe Lighting 102


April, 2005
Workshop 28, Arena Sport Strobe Lighting 101


March, 2005
Workshop 27: Nikon's D2X Digital Camera


February, 2005
Workshop 26: Steps to Success


January, 2005
Workshop 25: Own Your Images!


December, 2004
Workshop 24: Step-by-Step Lightpainting


November, 2004
Workshop 23: The Importance of Recognizing Light



September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)


August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)


July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)


June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)


May, 2004
Workshop 17: Documenting the Masters
(click here)


April, 2004
Workshop 16:
Scene Setters

(click here)


March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)


February, 2004
Workshop 14: Sports Strobe Photography
(click here)



December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera

(click here)


November, 2003
Workshop 11: "Be More Than a Fan"


October, 2003
Workshop 10: "More Porrage, Please"


September, 2003
Workshop 9: The Nikon COOLPIX 5700


August, 2003
Workshop 8: Using Wireless Remotes


July, 2003
Workshop 7: Approaching The Event


June, 2003
Workshop 6: To be noticed, to be published, to the marketplace


May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)


April, 2003
Workshop 4: What Drives an Image? (click here)


March, 2003
Workshop 3: Fill Flash Techniques (click here)


February, 2003
Workshop 2: Sports Arena Lighting (click here)


January, 2003
Workshop 1: Lightpainting (click here)

 


 

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