Sports Flash Photography
Workshop at the Ranch
February, 2004 Edition
Hi and welcome to the February edition
of Workshop at the Ranch. The vast majority of emails I received
during 2003 revolved around ARENA LIGHTING with SPORT STROBES.
I have included some rough diagrams illustrating approximate strobe
locations. I use the Elinchrom 1000r Sport Strobe that is distributed
by Bogan. There are a variety of Sport Strobes on the market,
but I like the Elinchrom's as the are lightweight, powerful, and
most important, they have a very FAST FLASH DURATION. My 1000r
units are older, but I believe Bogan distributes newer versions
of Elinchrom sport strobes in the 600 and 1200 Sport Strobes.
I also use Pocket Wizzard Multi Max Transceivers distributed by
Mamiya (I have not used hard wire for a number of years.) The
Multi Max's are wireless and reliable. You might want to scroll
back to the February2003 Workshop at the Ranch as it also deals
exclusively with Arena Lighting and Strobes with more images and
diagrams.
This is a standard 4 strobe set up.
The strobes are located in the catwalks that are above
the pool. I only light 1/3 of the pool. The 2/3 of the
pool that has no strobes is of course dark. From deck
level you can see how the swimmer is lit and the background
fades to black. This is a nice effect that illuminates
the splashing water. Remember, the light is evenly spread
across only 1/3 of the pool. Strobes are set at 1/2 power
for faster recycle time (1 second recycle) and a sport
reflector is used. Nikon D2H, ISO200, Nikon 500mm lens,
250 sinc at f7.1
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Swimming again but I wanted
a different " look ". I positioned the strobes
closer together on the catwalk so that only 1/5 of the
pool is lit. I was only going to shoot swimmers turning
and pushing off the wall so I concentrated all the light
in this narrow area. I wanted some dramatic lighting so
I pointed strobes #1 and #2 straight down at lane #2 and
set them at 3/4 power. Strobes #3 and #4 are pointed straight
down at Lane #9 and are set on 1/4 power. My Swimmer is
in lane #5, not in direct line of the light. The uneven
lighting directed straight down at the outer lanes tends
to allow light to spill across the swimmer and create
interesting shapes and colors. In this image even the
goggles took on an abstract look and color. NikonD2H,ISO200,
f8, 70-200mm VR Lens, with TC-14E 1.4X Teleconverter.
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Weightlifting. This is a set up portrait/action
image. Sport strobes were used because the athlete, Olympic
Gold Medalist Tara Nott, was performing a variety of lifts.
The fast action of the clean and jerk required the FAST
Flash Duration that the Elinchrom sport strobes offer.
Strobe#1 was set directly in front of the athlete while
strobe#2 was set behind and to the athletes left in order
to rim light her hair and back. Strobe#3 was behind and
directed at the weight. All strobes had a 20% grid attached
to the reflector to create a dramatic effect. NikonD1,
ISO200, Nikon 80-200mm lens. Bogan Lightstands, Elinchrom
1000r strobes, with 20%grids.
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Ice Hockey action on the
glass is usually an after thought by the photographer,
a " Grab Shot ". I set the strobes specifically
for this shot and enjoyed the game. My hope was that a
good crash into the glass would occur were I was positioned.
I chose the WORST glass in the rink. Plenty of gashes,
scrapes, and scratches. I side/back lit the glass with
strobes #1 and #3 ( 1/4 power on #1 and 1/2 power on #3
). Then at Full Power strobe#2 from directly behind (
it is visible in the image ) These angles of light would
light up every scratch and scrape on the glass so as to
emphasize the rough sport of Ice Hockey I shot only 4
frames the entire game with these strobes and a NikonD2H,
ISO200 with a Nikon 12-24mm lens at f8. I really like
this image. It is unique. All strobes were positioned
in the arena catwalks with Bogan Super Clamps. Polished
long throw 30% reflectors were used with the Elinchrom
1000r strobes. I wore a black hat, coat and gloves to
keep from being reflected in the glass.
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Waterpolo is a terrific sport to photograph.
Most pictures are of athletes splashing and fighting for
the ball but this time I set the strobes in positions
that left the athlete in a 1/2 silhouette against the
beautiful color of the water. I watched the team practice
and realized that they warmed up with passing drills.
They always went to the same area of the pool to do these
drills. So on the third day I set my lights accordingly.
Strobe#1 lit the area were the top player of the team
practiced her passing drills. Strobes#2 and #4 lit a shaft
of light across the water behind her. Strobe#3 lit the
upper right corner of the frame to give the image balance.
Strobes 1,2,and 4 were set at 1/2 power while strobe3
was 1/4 power. Nikon D2H, ISO200, Nikon 300mm 2.8 lens
with TC-14E 1.4X Teleconverter. Pistol Grip (no monopod)
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I hope these examples/diagrams help
those of you using strobes and those of you who are thinking about
getting some understand more about setting them up with a style
of image in mind. The standard 4 lights in each corner is great
for the sports/news but sometimes I want to make an interesting
image with style and grace. For those thinking about purchasing
sport strobes I purchase my equipment from Roberts Distributors
in Indianapolis, 800-726-5544, ask for JODY GROBER. I believe
Roberts has something called a " Corner Kit " (Strobe,Reflector,Clamp,etc.
in a ready to-go package). Questions are always welcome. See you
next time at Workshop at the Ranch. Adios, Dave
| Each month I will be teaching techniques and sharing
information about photography. I hope to address not only
how images are made, but also aspects of business and the
industry. I hope you find the time to log on each month here
at "Workshop at the Ranch" If you have a question
or comment about an area of photography not covered yet in
Workshop at the Ranch, contact me
to suggest a topic for a future issue. |
*For additional examples of photographs using
various lighting techniques see the Sports
Scene
For another truly unique lighting style with
instructions on it's implementation, check out LightPainting
Techniques in the January edition of Workshop at the Ranch
or for more on artificial arena lighting techniques, see Arena
Lighting, February's Workshop at the Ranch.
WORKSHOPS and PRESENTATION Schedule
March 5-7, 2010 ... Southwestern Photojournalism Conference (SWPJC) Ft. Worth, Tx. www.swpjc.org
April 28,- May 4, 2010 ... American PHOTO Mentor Series Trek to Zion National Park and Bryce Canyon www.mentorseries.com
June 27- July 2 ... Sports Photography Workshop, Colorado Springs, Co. www.sportsphotographyworkshop.com
August 1-5 ... Long Island Photo Workshop, Long Island, NY. www.liphotoworkshop.com
September 9-12 ... American PHOTO Mentor Series Trek to Tetons, Wyoming www.mentorseries.com
October 3-8 ... Photography at the Summit, Jackson Hole, Wy. www.photographyatthesummit.com
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Past Workshop at the Ranch Issues
March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
