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On The Road
"Kentucky Derby Day"

June, 2007

Hi and welcome to this edition of On The Road. The first Saturday in May is marked on my calendar with my favorite sporting event of the year, the Kentucky Derby. This year I thought I would showcase 12 images that document the Derby Day experience.

 Image #1 Churchill Downs at Dawn ... This is my favorite time of Derby Day. Don't get me wrong, I like the action, the thrill of the event and all that, but dawn at Churchill Downs on the day of the Kentucky Derby is something special. Horses with their exercise riders and trainers slowly move onto the race track from the barn area like previous days, but there is excitement in the air on this day. It doesn't matter to me if they are Derby favorites or new 2 year olds, I just love to make pictures that I find interesting. Nikon D2Xs, ISO250, 1/13 at f2.8, Nikon 17-55mm Lens, WB 3600K, Lexar 8G Flash Card.

Image #2 Clearing Skies Over Churchill Downs ... Breaking clouds suggest that the rain storms of the past 4 days will move out and it will be a fine day for racing. Once the training is over, horses slowly make their way back to the barn for grooming and some oats ......... what a life. Nikon D2Xs, ISO100, 1.6 seconds at f9, Nikon 17-55mm Lens, WB 10,000K, Lexar 8G Flash Card.
  Image #3 Tack Time ... Groomers and exercise riders place saddles and tack outside the barns to dry out in the fresh air after the morning training session. I enjoy making pictures of everything that is involved in the sports events I cover. This includes details of sport whether it is a logo on a golf ball, an athlete's tattoo or, in this case, a black leather saddle from Woodward Racing Stables at Churchill Downs. Nikon D2Xs, ISO250, 1/50 at f7.1, Nikon 17-55mm Lens, WB 4000K, Nikon SU800 Commander, One Nikon SB800 Speedlight with warming gel and LumiQuest Snoot "pinched" with a paper clip and hand held off camera as a Remote in i-TTL mode with a power output +1, Lexar 8G Flash Card.
Image #4 Derby Thoughts ... The exercise riders that take the horses through their conditioning at daybreak rarely experience the heart pounding thrill of the actual Kentucky Derby race. They tend to be quietly in the background of the Derby Day experience. I had never met one who was a competitive jockey let alone one who was riding in the Derby. This year I spent some time gathering portraits of these men and women who help shape championship thoroughbreds as they waited in the barn area for their next mount. This portrait of Shaun Bridgmohan was similar to the collection of portraits of exercise riders but with one exception, the look on his face was much more thoughtful and far away. Perhaps because he would be riding Zanjero, a 30 to 1 odds long shot in the Kentucky Derby just 10 hours away. Nikon D2Xs, ISO250 at f5.6, Nikon 17-55mm Lens, WB 6300K, Nikon SU800 Commander, One remote SB800 Speedlight i-TTL mode with warming gel and LumiQuest Snoot "pinched" with a paper clip and hand held off camera with a power output of +0.7, Lexar 8G Flash Card.
Image #5 Practice Makes Perfect ... There are 12 races on Derby Day with race #10 being the Kentucky Derby. This allowed me several pre-Derby races to school my assistants Sierra, Emily and Erin ( also known as "The Angels" ) in the fine art of firing remote cameras. I always strive to bring something different to the magazine each Derby. Ground remote cameras are commonly used in turn one and at the finish line but I had never seen one used at the start. For this new camera position to be acceptable during the Derby I consulted track officials who allowed me to do a few dry runs with the camera position during some earlier races. This would give both Churchill Downs and myself some confidence and allow "The Angels" to become acquainted with all the procedures surrounding the start gate. While Emily and Erin handled the firing and removal of the overhead start gate remote it was Sierra's job to fire the ground remote and then remove the camera after the lead Outrider had passed by but before they crew began to move the start gate off the track. This is frame #4 from the first test race. It showed me that the lead Outrider could potentially block the shot as the horses advanced down the stretch. I spoke to the lead Outrider who explained that his location for the Derby was 40 yards in front of the start gate and that he would not be advancing from the outside. Perfect, the ground remote camera was approved. Nikon D2Xs, ISO250, Aperture Priority EV -0.3 (1/4000 at f4), Nikon 10.5mm Fisheye Lens manually pre focused, WB 71000K, Pocket Wizard Multi Max Transceivers N90 M3-P Pre Release Trigger cable, OverXposed Ground Plate with Gitzo Ball Head, Lexar 8G Flash Card.
Image #6 Race Preparations ... Jockey's batons are placed on a rack in the paddock area of Churchill Downs before each race. The paddock area is behind the grandstands and is where the horses for each race are brought to be saddled and made ready for the jockeys to mount up. Patrons are able to get a close look at the horses while they are paraded around the paddock in an effort to best decipher which horse will win them money in the next race. Nikon D2Xs, ISO100, 1/80 at f5.6, Nikon 17-55mm Lens, WB 7100K, Nikon SU800 Commander, One remote Nikon SB800 with warming gel i-TTL mode and LumiQuest Snoot "pinched" with a paper clip and hand held off camera power output +0.7, Lexar 8G Flash Card.
Image #7 Strolling the Paddock ... This is where many wonderful hat pictures are made. Clouds lingered well into the early afternoon making a nice cool/blue backdrop with a white balance of 3200K so I pursued my previous days work of "Light On The Run" pictures (see June 2007 Workshop at the Ranch article "Light On The Run") and found this stylish race fan strolling from the paddock area between races. Nikon D2Xs, ISO100, 1/8 at f13, Nikon 17-55mm Lens, WB 3200K, Nikon SU800 Commander, Two remote Nikon SB800 Speedlights with warming gels rubber banded together tandem with a power output of +1 hand held off camera by an "Angel", Lexar 8G Flash Card.
Image #8 The Stretch ... They're Off and running down the stretch for the 133rd Kentucky Derby. The time spent practicing during several pre-Derby races really paid off. This is frame #3 taken with the ground remote camera fired by Sierra. She not only triggered the remote at just the right time but also removed the camera from its location next to gate #20 (Great Hunter, at 15 to 1 odds) just seconds after the horses were away and just seconds before the start gate was hauled off the track. Nikon D2Xs, ISO250, Aperture Priority EV -0.3 (1/4000 at f4), Nikon 10.5mm Fisheye Lens manually pre focused approx.: 5 feet in front of gate #19 (Dominican, at 20 to 1 odds), WB 10,000K (I went for a very warm WB tone), Pocket Wizard Multi Max Transceivers, N90 M3-P Pre Release Trigger cable, OverXposed Ground Plate with Gitzo Ball Head, Lexar 8G Flash Card.
Image #9 Pack Mentality ... Scat Daddy, (10 to 1 odds) ridden by last year's winning jockey Edgar Prado, and the entire Kentucky Derby field of 20 horses race by me approx: 40 yards up the stretch ... (oddly enough just in front of the lead Outrider.) This kind of shot is a gamble to say the least. After 8 Kentucky Derbies I have yet to pick out and nail an image of the winner at this point in the race ...... but after all, if I could pick the winner I would probably be smarter to place a large wager rather than be a photographer sitting in the mud. Nikon D2Xs, ISO250, 1/1250 at f4.5, Nikon 200-400mm G VR Zoom Lens hand held, WB 6300K, Lexar 8G Flash Card.
Image #10 Making His Move ... Street Sense (4 to 1 odds) with jockey Calvin Borel (yellow and blue silks) emerges from the pack on the inside of turn #4 and is three lengths behind the leader Hard Spun (15 to 1 odds). The magazine has nine other photographers covering the race from a variety of angles all of whom begin to focus on the finish stretch at this point of the race. My job is to photograph the start with remotes and a hand held camera and then photograph 4th turn action as the field of 20 horses reach the top of the stretch. My task is to pick out the eventual winner making his move which can be difficult with a come from behind winner like Street Sense. Nikon D2Xs, ISO250, 1/1250 at f4.5, Nikon 200-400mm G VR Zoom Lens hand held, WB 6300K, Lexar 8G Flash Card.
Image #11 Hats Off ... Calvin Borel aboard Street Sense acknowledges the crowd at Churchill Downs and begins a victory parade after winning the 133rd Kentucky Derby. Nikon D2Xs, ISO200, 1/500 at f5.6, Nikon 200-400mm G VR Zoom Lens hand held, WB 6300K, Lexar 8G Flash Card.
Image #12 Congratulations To Calvin ... The winner circle and awards ceremony are photographed by pool photographers. Although I'm not part of the pool I still wanted something of Borel and all the celebration surrounding his incredible come from behind victory. I chose to wait at the entrance of the tunnel that goes under the grandstands to the paddock. I mounted a camera with a 10.5mm fisheye lens to my monopod and lifted it up high overhead and shot a few frames as Borel walking by and shaking hands. It's different and was a good choice considering all the people and security surrounding him. Nikon D2Xs, ISO250, 1/250 at f5, Nikon 10.5mm Fisheye Lens, WB 6300K, Gitzo Carbon Fiber Monopod with Gitzo Ball Head, Nikon MC-30 Remote Trigger Release cord, Lexar 8G Flash Card.

  There are many other images taken during the day of the Kentucky Derby but I hope these give you some idea of how Derby Day unfolds. It began at dawn with training and finished just before sunset with Calvin Borel shaking hands with a fan. For me and all the photographers who covered this Derby Day the next 4 hours would be spent downloading cards, pulling selects, captioning the pictures and transmitting them to the magazine. I enjoyed each moment of this year's Kentucky Derby Day and hope you did to.

See you next time On The Road ...................................... Adios. Dave

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